THE HUNDREDS

In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-maki ng. The experiment of the one hundred word constrainteach piece is one hundred or multiples of one hundred words longamplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground . What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longe r seen as ...[Leer más]